Producers Tessela and Truss (R&S, Perc Trax, Poly Kicks), also known as brothers Ed and Tom Russell, once again join forces as Overmono to remix one of the outstanding cuts from Nathan Fake’s fourth album “Providence”, recently released via Ninja Tune. Accordingly, ‘DEGREELESSNESS’ - featuring the heavily distorted vocals of Prurient - is re-imagined as a shadowy four-on-the-floor cut. “I really wanted Overmono to remix ‘DEGREELESSNESS’ as I love the way they use melody ...
Producers Tessela and Truss (R&S, Perc Trax, Poly Kicks), also known as brothers Ed and Tom Russell, once again join forces as Overmono to remix one of the outstanding cuts from Nathan Fake’s fourth album “Providence”, recently released via Ninja Tune. Accordingly, ‘DEGREELESSNESS’ - featuring the heavily distorted vocals of Prurient - is re-imagined as a shadowy four-on-the-floor cut.
“I really wanted Overmono to remix ‘DEGREELESSNESS’ as I love the way they use melody alongside heavy, but kind of abstract techno rhythms.” explains Nathan. “They’ve kept their mix pretty close to the original, but I love the Reece bassline outro.”
Producers Tessela and Truss (R&S, Perc Trax, Poly Kicks), also known as brothers Ed and Tom Russell, once again join forces as Overmono to remix one of the outstanding cuts from Nathan Fake’s fourth album “Providence”, recently released via Ninja Tune. Accordingly, ‘DEGREELESSNESS’ - featuring the heavily distorted vocals of Prurient - is re-imagined as a shadowy four-on-the-floor cut. “I really wanted Overmono to remix ‘DEGREELESSNESS’ as I love the way they use melody ...
Producers Tessela and Truss (R&S, Perc Trax, Poly Kicks), also known as brothers Ed and Tom Russell, once again join forces as Overmono to remix one of the outstanding cuts from Nathan Fake’s fourth album “Providence”, recently released via Ninja Tune. Accordingly, ‘DEGREELESSNESS’ - featuring the heavily distorted vocals of Prurient - is re-imagined as a shadowy four-on-the-floor cut.
“I really wanted Overmono to remix ‘DEGREELESSNESS’ as I love the way they use melody alongside heavy, but kind of abstract techno rhythms.” explains Nathan. “They’ve kept their mix pretty close to the original, but I love the Reece bassline outro.”
This could be the worst homelessness crisis in the last 50 years and we can do something about it!
Centrepoint provides housing, health support and life skills for young people (16-25years old) all over the UK in order to give them a future.
An amazing 88% of these young people that Centrepoint work with , move into their own homes, reconnect with their families, get their first jobs or go to university
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